The definitive solution.
I built a homemade version of the "Headbanger" headphone amp, from scratch, using parts from Radio Shack. Parts cost about $30 and I didn't make a printed circuit board, I just used simple perfboard and soldered my own wire connections.
This is slick, thanks. I guess you could make it permanent and power from the aircraft with a little LM317 voltage regulator.
Quick question... do you guys use a mono or stereo socket in the panel for the aux input on the Flightcom 403MC? David
David I don't have a Flightcom, but I read the manual. Its a MONO intercom, so a mono jack would be fine.
From the Flightcom 403MC manual:
AUXILIARY INPUT AND OUTPUT:
(See Wiring Diagram) If a music source is not installed permanently in the aircraft (Auxiliary Input), a 3.5mm mini jack can be installed in a convenient location to provide an interface for a portable recorder or CD player. The system output will be monophonic. Pin number 18 on the wiring diagram is for auxiliary input, allowing you to listen to a tape player or other source. To record from the intercom system (Auxiliary Output), install a second 3.5mm jack and connect it via one (1) 47k resistor to the pilot’s headphone output, pin 9. DO NOT attempt to combine both input and output functions on a single 3.5mm jack.
If you have a mono source, with a mono phone jack, than than you are fine. The problem is with a stereo audio source and mono amp (intercom). You can plug in a stereo phone into a mono jack and just get one channel of the stereo, but per the discussion above, you might still not get good volume due to impedance miss match.
If you can accept getting one channel of stereo source than you are set with a mono panel jack.
I would discourage you from combining left and right channels together to make a mono signal. I'm not sure, but I fear you could burn out or blow the amp in your iPod.
So how do you go (mono to stereo) -OR- (stereo to mono)?
Mono to stereo - is easy, just split the mono to the L & R channels. With a mono source, all you do is split the one hot into two hot, L and R channels. You could make a little adapter cable with a mono jack and stereo phone plug at the other end. I think they sell adapters over the counter.
Your intercom is NOT stereo, so its kind of moot. You are using a MONO jack in your panel.
Stereo to mono - If you call Flightcom's tech people, I think they will tell you to handle stereo to mono by using a resistor/capacitor. With a simple resistor/capacitor in-line with each channel, isolating them, before you tie them together into one mono signal. This is not as good as matching isolation amps some one posted above or Neal's isolation amp device above (with a little re-wiring). Stereo to mono is a compromise anyway you cut it.
How ever you decide to handle stereo to mono, you could wire a Stereo Panel Jack with a stereo/mono switch, and put all the stereo to mono electronics behind the panel. If you want hi-fi or at least good quality audio, a preamp is a good idea, espcially with a low cost intercom. When you need to turn the source WAY UP to get the acceptable sound levels, you increase distortion.
Neal suggested the PM-3000 does not need any help. I'll second his suggestion and add, if you really are going to use stereo input (iPod) and want quality sound. Neal said he did not need any matching preamp with the stereo PM-3000. I had the PM-2000 (stereo) intercom, predecessor to the PM-3000. I can testify to the quality. Their mono intercoms, PM1000 & PM1200 have separate pilot & co-pilot volume and squelch. The PM501 is their budget model. I know the PM3000 is big bucks, but you get what you pay for. I'm a cheap-skate, but critical, basic items I use every flight, like an intercom, I don't cheap out on. If you can find a used one or a PM-2000 than get it.
I'm not putting down Flightcom, but from their manual it looks like (I could be wrong) they don't isolate the audio grounds? This simplifies wiring and cuts cost, but opens the door to electical noise in the audio. High end intercoms ISOLATE the jacks and run dedicated grounds to each mic and phone. If you want music than get the PS Eng. There where other high end intercom brands, like DRE, but they're out of business.